Outskirts of Moscow. A girl comes to an unfamiliar apartment to look after a dog. After a while, she realizes that the owner of the apartment has disappeared. She finds herself into a series of people that have been taking care of the dog for years in that same apartment, creating a weird community around this strange absence of the owner.

기나긴 길, 두 대의 차, 두 명의 남자, 세대간 분열과 담배 한 갑.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

Bootlegger/cafe owner, Johnny Franks recruits crude working man Scorpio to join his gang, masterminded by crooked criminal defense lawyer Newton. Scorpio eventually takes over Frank's operation, beats a rival gang, becomes wealthy, and dominates the city for several years until a secret group of six masked businessmen have him prosecuted and sent to the electric chair.

Triller Fight Club presents Triad Combat on Saturday, November 27 at Globe Life Stadium, in Arlington, TX with a the main card featuring former champion Frank Mir competing against Kubrat Pulev in the Heavyweight Division and a special live Heavy Metal Concert by Metallica.

The same movie with the same characters, cast and crew as I am Curious (Yellow), but with some different scenes and a different political slant. The political focus in Blue is personal relationships, religion, prisons and sex. Blue omits much of the class consciousness and non-violence interviews of the first version. Yellow and Blue are the colors of the Swedish flag.

Morbius Jr, now an OId Man, is nearing the end of life, when he finds the last hope for all Morbkind. However, as he fights to protect the future of Morbheads, he finds himself facing off against an unlikely of enemy... HIMSELF.

While on a camping trip in order to reconnect, war veteran Colonel Lee Gunner must save his two sons from a gang of violent bikers when they're kidnapped after accidentally stumbling upon to a massive drug operation.

A doomsday pepper is surprised to find a mysterious box appear in his living room with no trace as to how it could've gotten there.

A group of young activists set out to make an environmental statement by vandalizing a home superstore as it closes. But their plan goes terribly wrong when they become trapped inside and must face a deranged security guard with a gruesome passion for primitive hunting. As the night fills with violence and terror, the teenagers find themselves in a desperate fight for their lives.

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

Joy, a secretary at a large multinational company, has an online shopping problem, likes to read adventure novels and watch travel and adventure shows. She daydreams about living a life of adventure.

2032년 인도네시아. 다소 불량한 아마추어 탐정 가스퍼(레자 라하디안)는 정부가 연루된 대량 학살 사건을 수사한다. 그 과정에서 어린 시절 흔적도 없이 사라졌던 친구에 대한 단서를 얻게 되고 인신매매 악당을 추적한다. 하지만 인공심박동기가 망가지는 바람에 24시간밖에 남지 않은 시한부 선고를 받는다. 얼마 남지 않은 시간, 아그네스(쉐니나 시나몬)와 킥(라우라 바수키) 등 친구들의 도움을 받아 복수를 완결하고자 한다.

Six vignettes pit an assortment of characters against each other in everyday situations.

An attorney with a military past hunts down the gang who killed his wife and took his daughter.

세계의 붕괴가 시작되고 폭주한 메이쿠몬은 테일몬을 흡수하여 막강한 힘을 가진 오르디네몬으로 모습을 바꾼다. 이그드라실의 뜻대로 현실 세계가 디지털 월드에 삼켜지려 하는 것이다. 호메오스타시스는 이제 걷잡지 못하게 되어버린 오르디네몬을 처분하기 위해 현실 세계를 휩쓸 최종 계획을 실행에 옮기려 하고 어떻게든 파멸을 막기 위한 아이들과 디지몬들의 필사의 사투 속, 실의에 잠긴 히카리에게 테일몬의 목소리가 들린다. "모든 빛은 메이쿠몬 속에…" 이에 단서를 찾은 아이들은 그들의 선택으로 마지막 결단을 내리고 세계를 구할 수 있을까?

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri