A short film about a boy experiencing immersion and fascination for war as he looks through the old photo album of his grandfather who was a Nazi soldier during WWII.

Dear Ones is an allegorical story about people who need to make real contact with their family and friends. Piotr is looking for a purpose and order in his life. To find it, he turns to magic, religion, and psychology. Unexpectedly, his father calls him and asks Piotr to come to his family home immediately. Piotr arrives at the same time with his sister, Marta, whom he hardly remembers and does not recognize. The father called for Piotr and Marta because their Mother went missing. Family members who meet for the first time after many years begin to search together. The facts they discover about their mother make them re-define what kind of family they are.

성공하지 못한 다큐멘터리 감독인 미켈은, 현실의 대리만족으로 가상현실 세계인 ‘세컨드 라이프’에 가입한다. 그곳에서 헬레나를 만난 그는, 그녀가 이끄는 대로 세련된 아바타가 되어 성공적으로 가상현실에 정착한다. 현실의 미켈은 헬레나와 만나고 싶어하지만 그녀는 만남을 거부한다.

A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

임진왜란 발발로부터 7년이 지난 1598년 12월. 이순신은 왜군의 수장이던 도요토미 히데요시가 갑작스럽게 사망한 뒤 왜군들이 조선에서 황급히 퇴각하려 한다는 것을 알게 된다. 왜군을 완벽하게 섬멸하는 것이 이 전쟁을 올바르게 끝나는 것이라 생각한 이순신은 명나라와 조명연합함대를 꾸려 왜군의 퇴각로를 막고 적들을 섬멸하기로 결심한다. 하지만 왜군의 뇌물 공세에 넘어간 명나라 도독 진린은 왜군에게 퇴로를 열어주려 하고, 설상가상으로 왜군 수장인 시마즈의 살마군까지 왜군의 퇴각을 돕기 위해 노량으로 향하는데…

An attorney with a military past hunts down the gang who killed his wife and took his daughter.

Trapped in the web of ethnic strife in the brutal underbelly of Karachi, Gardaab is a tale of two lovers' journey, as they struggle to break away from the unending cycle of violence that haunts the metropolis.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

Miss Yamagami is beautiful with a willowy figure and slender legs. She seems out of place teaching in an all boys school. The young school marm is fully aware of her power over the impressionable boys in school and it satisfies her vanity. She stirs up their nameless longings until they are carried away and resort to acts on which Miss Yamagami had not counted on.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.

A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

In the distance is seen a number of grey objects rapidly approaching, which, upon drawing closer, are recognized as a company of Boer cavalry. As they draw nearer, you can see that they are straining every nerve and urging their horses to the utmost speed. Waving their sabres aloft on they come, so that the audience involuntarily makes an effort to move from their seats in order to avoid being trampled under the horses.

Asa is a film which tries to show the confrontation between the dance of a body, the gesture of filming, editing, and moreover, between the sensitive surface of the film and the texture of skin in light.

A grieving young inventor finds solace in repairing an antique typewriter.

게리가 원하는 것은 친구들과 끝내주는 오락 영화를 만드는 것뿐이다. 반면 게리의 누나 사만다가 원하는 것은 멋진 친구들과 어울려 노는 것뿐이다. 어른들이 자리를 비운 할로윈 주말, 광란의 하우스 파티는 외계인의 습격에 아수라장이 되고, 게리와 사만다 그리고 친구들은 살아남기 위해 의기투합을 한다

Two Los Angeles cops go undercover to investigate the distribution of steroids to wrestlers and body builders.

Johan is a two-fisted Gothenburg cop who finds himself in a shoot-out with jewel robbers. After the smoke has cleared, one robber, shot by his accomplice, and an innocent bystander, are dead. Three witnesses, including Helen, identify thug extraordinaire Leo Gaut as being the dead crook's trigger-happy colleague. Gaut soon threatens the three witnesses, and only Johan, the badge-wearing hero, can save them.