An intimate and hugely entertaining dinner with key members of the cast of The Sopranos, as they reminisce about the show, filmed in the Little Italy restaurant, IL Cortile, that cast members would go to for a commiseration dinner after their character had been killed off in the show.

The first rule is that there are no rules. For the bare-knuckle combatants competing in Musangwe fights, anything goes - you can even put a curse on him. The sport, which dates back centuries, has become a South African institution. Any male from the age of nine to ninety can compete. We follow a group of fighters as they slug it out in the ring. Who will be this year's champion?

때는 난세인 무로마치(室町) 말기. 남부럽지 않은 명문 하타케야마(畠山) 가문의 차남 나오미츠(直光, 오구리 슌)에서 태어났지만 대도적 타조마루(多襄丸)라는 이름을 가지게 된 남자. 그런 나오미츠에게는 원래 장래를 약속한 소꼽동무 아코희메(阿古姬, 시바모토 유키)가 있었다. 그런데 아코희메의 아버지 다이나곤(大納言)이 갑자기 세상을 떠났을 때 8대 쇼군인 아시카가 요시마사(足利義政, 하기와라 켄이치)가 내뱉은 한 마디가 두 사람의 운명을 크게 바꿔놓는다. 그것은 하타케야마 가문의 형제 중에서 아코희메를 손에 넣은 자가 관령직(管領職)을 물려받게 된다는 것이었다. 이로써 당연히 자신이 가문을 이을 것이라 생각했던 노부츠나(信綱, 이케우치 히로유키)는 크게 동요해 아코희메를 강제로 손에 넣을 계책을 세우고 이에 나오미츠는 아코희메를 위해 모든 것을 버리기로 결심하고 아코희메와 산으로 도망치는데 바로 그 때 오래 전 그 목숨을 구해준 이후 동생처럼 아꼈던 신하 사쿠라마루(桜丸, 다나카 케이)의 배신과 맞딱뜨린다. 피를 나눈 형, 자신이 너무나 사랑했던 신하, 그리고 마음 깊숙히 사랑했던 여자…. 누구보다 믿었던 자들의 배신으로 완전히 변해버린 인생. 그러나 모든 것을 잃고 빠졌던 절망의 늪에서 생각지도 못한 단단한 우정을 발견했다. 신뢰과 불신이 완전히 역전되어 보여지는 순간 그 모든 것이 다시 흔들리기 시작했다. 타조마루에게 일어난 모든 일에는 내막이 있었고 그 내막을 통해 바라보면 하나의 사건이 완전히 다르게 보인다. 엎치락 뒤치락 뒤바뀌는 상황. 완전히 뒤집힌 배신과 신뢰. 보여지 않는 진실에 우롱당하는 타조마루가 마지막으로 도달한 곳은….

Today is the day Hélène emancipates herself from her ungrateful family… Hélène is a rich housewife who has dedicated her life to her perfect house, children and husband. Today is her birthday, but at her party she’ll make a gift to herself… Revenge!

After being thrown out of their apartment, the Stooges try a scam to get some money: find a hotel, slip on a cake of soap, and sue the owners to get a huge settlement. In their attempts they come across an old lady who is on the brink of losing her hotel if she doesn't pay the interest on her note. Taking pity on her, they immediately start fixing up the place, turn it into a swanky nightclub, and go all out to impress important columnist Waldo Twitchell on opening night.

Rob Ralston is forced to go to "town" for supplies, and "Injun" Jim, a sneaking rascal, announces that he proposes to jump his claim. This arouses the official ire of Fred "the star wearer," and he soundly trounces the half-breed rascal. Now Fred has an intrepid sweetheart. Sally, who is a well-spring of information and is naturally hated by law-breakers. "Injun" Jim gets reinforcements and carries off the girl as a hostage. Fred senses they are making for the mine, so he girds on his guns and goes in the same direction. The desperadoes arrange to "dynamite" Sally, but she cuts the fuse in two by a well aimed shot after they have sought safety at a distance. This saves her sweetheart Fred, who rushes to her rescue, and they both retreat to a cabin. The dynamiters are obstinate and place another cartridge, so that the cabin will be blown to pieces. The daring Fred picks up the keg of powder and rushing out rolls it down on Injun Jim and his fellow mischief-makers. They are so dazed ...

Two guys are arguing about the meaning of life and the purpose of humankind's existence. 'Why do we exist and who are we?' - this is the question.

An innovative special to celebrate the world of children.

Frogs, birds, lizards, a snake, alligators, and a lot of insects inhabit a pond; everyone's ready to eat. Two tenacious lizards catch the same fly, inciting a protracted tug-of-war.

Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man in Brooklyn, capturing the incredible reach and scope of the civil rights movement, and working with this diverse of footage, as she would later say, “like an artist with a palette using different colors.”

The directors, who are also partners, take a journey in pursuit of Sami's father, who abandoned his Danish family when Sami was very young.

This radical diptych recasts Manet's canonical painting as a scandalous psychodrama: in the first part, a prostitute (Katie Widloski) and her brother (Gabriel Abrantes) struggle with their incestuous urges; in the second, a prostitute (Abrantes) copes with her loneliness on a slow night for business.

Mexican feature film

The second installment in the 28 Days Later sequel trilogy. Premise TBA.

Zanskar is a remote kingdom in the northwest Indian Himalaya, where local people are snow-bound for six months of the year. About 10,000 Zanskaris live in the isolated valley. In winter, mountain passes are blocked, the summer Jeep road closes and buses stop. Two decades ago, three friends founded a ski school - to enable winter travel in the valley, improve quality of life, and to encourage young people to stay in Zanskar by helping establish a culture of mountain sports. The film tells the story of this friendship, the ski school and the development of skiing in the area. Along the way a bigger question is raised. Most recently, the federal government announced a major road building project that will provide year round access to Zanskar. How can Zanskar's wilderness be preserved? It is only a matter of time before the winter road is completed, and the "Big India" rushes in.

A little boy staying overnight in his grandparents’ house experiences horrifying incidents after he listened to a mythical story told by his grandmother. But behind it, there is another thing he is not aware of. After all of those incidents, he does not want to whistle anymore.