A surrealistic allergory on the loss of language and identity in the city from an indigenous perspective.

The film revolves around the life of the martyr Mustapha Ben Bouleid (1917-1956), who was a member of the Algerian National Movement, who worked with his comrades to explain the idea of the armed revolution in which he led in Aures region in 1954. The film depicts how Ben Bouleid traveled to a number of Arab countries Disguised to bring arms to Algeria for the revolution and how the French colonial forces arrested him in the Tunisian-Libyan border, and from there to Algeria to be sentenced to death.

This Traveltalk series short visits Seattle and other areas in the state of Washington. Seattle was a small city until the 1897 gold rush. During World War I, it served as a major shipping center for lumber that was transported through the Panama Canal to East Coast shipbuilders. We also visit a Weyerhaeuser lumber camp located between Longview and Tacoma, and the city of Everett, where lumber is used in the burgeoning aircraft industry.

Bestselling author and award-winning filmmaker Ian Halperin lifts the lid on Brangelina - the couple, the brand and the breakup. Featuring exclusive revelations and anecdotes from behind the scenes, Broken: The Incredible Story of Brangelina explores the relationship of one of the most fascinating, powerful and enigmatic couples in the entertainment business.

매스컴의 생리를 잘 알고 있는 장마담은 미용실을 새로 개업하면서 센세이션을 불러일으킬만한 미용사 앙리 박을 섭외 한다. 장마담은 개 미용사 출신인 앙리박을 프랑스 유학파라고 선전하고 앙리 박은 손님들을 상대로 기괴한 헤어스타일을 선보여 선풍적인 유행을 불러일으킨다. 언론은 앙리 박의 헤어쇼와 유행을 야수파 신드롬이라는 사회적 현상으로 과대 포장한다. 특히 앵커가 꿈인 아나운서와 본부장을 노리는 국장의 손에 의해 포장은 극에 달한다. 한편 미용실 터주대감 이춘기는 앙리 박 때문에 손님도 떨어지고 공공연히 무시당하자 그가 개 미용사였다는 사실을 언론에 흘린다. 이때부터 앙리 박을 포장하려는 사람과 그 포장을 벗기려는 사람사이에 치열한 경쟁이 벌어지는데...

Tells the story of an impoverished young man who dreams/​fantasizes/​hallucinates about his adventures in a post-holocaust Sydney of the future, where all is polluted and survival depends upon the theft of oxygen.

Alberto is 40 years old and lives with his mother in an apartment complex where he works as a concierge. One day, a circus group settles near Alberto’s residence, disturbing his everyday life and awakening his forgotten desire for independence and freedom.

Nilkanth Master is based in the pre-independence era in Maharashtra. Vishwanath (Omkar Govardhan) joins a revolutionary group after earning the trust of the leader, Vyenkatesh (Adinath Kothare). But during the first secret operation after his joining, Vyenkatesh gets killed while fighting the British and their mission fails. Indu (Pooja Sawant) is Vishwanath's childhood love.To hide from the eyes of the British, Vishwanath is made to stay with the senior-most member of the group (Vikram Gokhale). He is given a pseudo identity of the school teacher, Nilkanth. Hence, he is now called Nilkanth Master. His first task is to break the news of Vyenkatesh's death to his lover, Yashoda (Neha Mahajan).

A young Londoner disguises herself to become governess of the son of the barrister she loves.

A look at abduction contactees

A man places his trust in the town's priest, completely unaware that he is a drug addict, thief and murderer.

A story of teenage love set against the backdrop of the 60's, filmed on the picturesque tropical beaches of Puerto Rico. A classic Latino love story, asking the timeless question -- whether it is better to have loved and lost than to never have loved at all.

시골 마을 허그에는 30년마다 누군가 실종된다는 이야기가 수백 년째 괴담으로 전해진다. 괴담을 소재로 기사를 쓰는 제임스는 우연히 이 이야기를 듣고 만삭의 아내 해리엇과 함께 허그로 취재하러 떠난다. 하지만 허그에 도착한 다음 날 산책하러 나간 해리엇이 실종되고, 제임스는 해리엇의 행방을 찾아 헤매는데...

Jan Jedlička has been recording the Maremma landscape for three decades with various artistic means. He has systematically studied the topography of the region from the highest points, the large, simple shapes of hills and plains, the canal systems, the clean lines of the coastline. He observes the migratory fires set by local peasants to burn their fields and grass. The elemental structure of the landscape, the colours and reflection of the water surface emerge in the ever-changing light during the day and the seasons. The sequences and arrangements of the film develop a multi-layered dialogue between the landscape and the abandoned house. In the interior spaces of the house, in the play of light and shadow, from unexpected angles, from spots on the wall or patterns on the tiles, Jedlička reveals motifs that resonate with the physiognomy of the landscape.

A scientist and his nephew are hosts of Lana, queen of the Amazons, while other crew men try to find and take hold of the legendary Amazons' treasure.