Spike has just finished the 20 year process of digging a tunnel from his prison cell but he picks the wrong place to hide.

Unofficial Charlie Chaplin cartoon produced for Movca Film by S. J. Sangretti and animated by John C. Terry, G. A. Bronstrup, and Hugh Shields.

Four women find purpose carrying babies for strangers in Boise, Idaho -- the unofficial surrogacy capital of the United States -- and encounter complexities along the way.

An animated animal couple tries to resolve their problems.

Sofia, a woman in her mid-20s battling depression, stumbles upon a peculiar mask on the roadside and brings it home. Soon, strange things begin to happen. An irresistible urge to put on the mask develops and the lines between what is real and not begin to blur.

브루클린의 친정에서 추수감사절을 보낸 빅토리아(Victoria: 스테파니 파워즈 분), 줄리(Julie: 캐서린 로버트슨 분) 모녀와 이모 스테이시(Stacy: 헬렌 쉐이버 분)는 돌아가는 길에 주유소를 찾다가 한적한 곳으로 빠져들게 된다. 그러나 주유소는 문을 이미 닫았고 알고보니 그곳은 갱단이 활개를 치는 그레이브센드라는 마을, 바로 아이스 갱단의 본거지였다. 어느새 아이스 갱단은 자동차를 포위하고 희롱하기 시작한다. 심리학을 전공한 빅토리아는 절대로 상대방을 자극하지 말라고 동생과 딸에게 타이른다. 줄리는 자동차를 몰아 일단 달아나는데 성공하지만 휘발유가 떨어져 멀리 못가서 서고 만다. 빈집의 옥상으로 도망을 친 세 사람은 널판지를 가로질러 놓고 다른 건물 옥상으로 피신한다. 공연히 여자들을 괴롭히는 것이 쓸데없는 짓이라고 바른말을 하는 부하마저 죽인 아이스(Ice: 커리 그레이엄 분)는 완전히 미치광이가 되어서 날뛴다.

As a result of a successful conspiracy against Menshikov, Peter II is prematurely recognized as an adult and is in a hurry to be crowned in Moscow. The Dolgoruky brothers gather for this celebration. There were eight of them - all-powerful and influential representatives of the ancient Rurikovich family - and among them the beautiful Ekaterina, the daughter of the huntsman Alexei.

Young Peer Gynt returns home once again after unsuccessfully looking for work. His mother already goes to meet him and he describes his alleged adventures to her. In his imagination, he sees himself as a king and escapes reality with his stories. His mother would have liked him to marry Ingrid, with whose dowry they would be well provided for, but Ingrid is promised to Mats and will marry him the very next day. While Peer once again escapes into his world of thoughts while lying in the grass, he is laughed at by the others of the village. They warn him to come to Ingrid's wedding feast, where the whole village is celebrating. But he does not care and there he meets Solvejg, whom he likes very much, but she initially turns away from him. So he kidnaps the bride Ingrid, incurring the wrath of the groom and the rest of the village youth.

Experience high speed chases and unbelievable motorcycle mastery. Ghost Rider returns for more incredible high speed antics on the streets and freeways of Stockholm Sweden. With real police chases, crazy stunts, and close calls that make even the most experienced riders flinch. He even rides a snowmobile with no tracks down a snow-less street at high speed. A radical motorcycle video that gets your adrenaline pumping and satisfies your need for speed.If you haven't seen Ghost Rider in action before then make sure you also pick up Ghost Rider - The Final Ride. You will be in awe of the speed and technique of this motorcycle master.

This was the first ship sailing for the Klondike from Seattle during the gold rush of 1897. The picture shows the excitement and enthusiasm that attended the great Klondike exodus. Crowds of anxious gold seekers watch the loading of their outfits, clothing, kits and provisions into the hole of the Williamette.

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

The life of "El Pibe Cabeza", an authentic Argentine gangster in the '30.

Mid-summer heatwave. Nikos and Alain, two male prostitutes and a female pimp, Monica, get tangled in a peculiar relationship after meeting in a dark street called POUTANA. They fall in love, play with guns and talk about card games, money and theatre castings. Is this a game of role playing the three of them have invented to pass their time in a remote, empty summer house? Have they been reading Jean Genet? Whether a mirror image of the characters’ reality or an elliptic depiction of their distorted, dream-like perception of it, I Afroditi Stin Avli, by juxtaposing disparate literary and art references, leads its isolated characters towards dissolution. And yet, in its strange language, it presents this dissolution as a triumph.