India is a country of such immense diversity, beauty and complexity that to understand it better you would need some real television professionals. Join Hamish and Andy as they hit the road to Learn India!

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

A boy walks through an abandoned building and films the interior. Suddenly his camera disappears.

바젤은 팔레스타인 서안지구 웨스트 뱅크의 마사페르 야타 출신의 젊은 팔레스타인 활동가다. 그는 어릴 때부터 이스라엘 군의 강제적인 마을 철거에 저항하며 마을의 현실을 기록해 왔다. 그러던 중 팔레스타인을 돕는 기사를 쓰기 위해 온 젊은 이스라엘 저널리스트 유발과 친해지고, 둘 사이에는 예기치 않은 유대감이 생긴다. 그러나 불과 30분 거리에 살지만 완전히 다른 세계에서 사는 둘 사이에는 건널 수 없는 차이가 존재한다.

Nostalgic comedy about medical students circa 1905.

성공하지 못한 다큐멘터리 감독인 미켈은, 현실의 대리만족으로 가상현실 세계인 ‘세컨드 라이프’에 가입한다. 그곳에서 헬레나를 만난 그는, 그녀가 이끄는 대로 세련된 아바타가 되어 성공적으로 가상현실에 정착한다. 현실의 미켈은 헬레나와 만나고 싶어하지만 그녀는 만남을 거부한다.

Jacob’s dream is to be a rap artist, so he works on a song that will give him the big breakthrough. To his big frustration, his dreams are tested every time his roomie Adam gets a visit from his girlfriend Frederikke. And through a journey of unforeseen events Jacob meets additional challenges that test his working discipline.

서기 2114년, 100년 전에 수전전대 쿄류저에 의해 쓰러진 데보스 군이 부활했다. 과거 데보스 군의 일원이었던 캔드릴라와 그 부하 라큘로는 데보스 군의 부활을 감지하고 새로운 수전전대 결성을 생각하지만, 캔드릴라의 적당한 성격이 화근이 되어 100년 전 쿄류저의 후손으로 보이는 인물 6명의 사상 최약체 브레이브 팀이 탄생하고 만 것이었다.

루비레드의 속편

아카데미상 수상자인 제임스 카메론 및 영화 출연자들과 함께 최고 기대작인 《아바타》의 후속편을 살펴보자.

Manolo is a famous singer who has a brief affair with Diana, a beautiful hitchhiker. Diana becomes pregnant and gives birth to a child, Lito, the Manolo ignores their existence. Seven years later, Diana wants her son Manolo meet and therefore decided to look for him. However, when he is suffering a great disappointment because Manolo does not remember her. One person who remembers the father Manolo, who follows that Lito is his grandson and both plan unite Manolo and Diana.

ok so basically yeah

Reg owns the store "Tem Tudo... E Muito Mais" (Has Everything... And Much More). To satisfy his customers, he is forced to perform the most strange functions.

A young boy falls asleep in class as we follow his strange dreams the end of the world falls upon us and all the beans in the world except one is left.

In the led-up to the 1989 WWE Survivor Series, top WWE Superstars strive to Survive!

A reporter and a photographer become entwined with women, marriage, and a defecting Russian scientist while on an expedition to Antarctica for their magazine.

After the death of his mother, little Peter lives with his great sister Helga at his adoptive father Professor Hartmann. Peter is seriously ill, can not get upset and therefore also on the advice of his doctor Heinz Stark no more music. Even his revered Donkosaks , who remember him with their songs to his Russian mother, can no longer listen to him on the radio. It is all the more pleasing to him when the choir, during a tour with their conductor Serge Jaroff and their manager Rolf Bender, has an autopanne near his home. While Chauffeur Karl repairs the bus, Peter sings the choir's title The Evening Star, glowing us two - a song of his mother, which the choir has never heard before.

A film producer on the verge of ruin decides to make an erotic film.

Loose cannon cop Capone returns to his home town of Kingston to join a group of officers fighting organised crime in the area. On his first day he uncovers gun smuggling operation that may be connected with lead criminal Oney. However his old crew, led by Ratty, also are involved leading Capone to a choice between his job and his old crew.

The band Fugazi is documented over a period of more than ten years (1987-1998) through performance footage and interviews with the band and their fans. Director Jem Cohen's relationship with band member Ian MacKaye extends back to the 1970s when the two met in high school in Washington, D.C.. The film takes its title from the Fugazi song of the same name, from their 1993 album, In on the Kill Taker. Editing of the film was done by both Cohen and the members of the band over the course of five years. It was shot from 1987 through 1998 on super 8, 16mm and video and is composed mainly of footage of concerts, interviews with the band members, practices, tours and time spent in the studio recording their 1995 album, Red Medicine. The film also includes portraits of fans as well as interviews with them at various Fugazi shows around the United States throughout the years.