One day the snow left the forest and went to the city. At the same time, his leadership was the Snow Law, which says that if you fall out for the first time, you can get up and walk again, if you fall out a second time, you can also get up and go further. And if you fall out for the third time, then you will remain lying until you turn into a puddle.

Six escaped convicts and their female hostage make a desperate run for the Mexican border, where they stumble across a lost treasure of untold wealth, and find certain death instead on the Arizona desert.

A young woman relaxes at a riverfront restaurant. She recounts stories of her past experiences, finding enchantment in the flows of the river and the trees on the mountains nearby.

The ex pro boxer Knuttis Svensson suspects that his wife has a secret admirer.

A boy's nightmares about being stalked by a demon slowly transform into a terrifying reality.

우주탐험대 대원들은 우주선을 빌려 '센터리'라는 휴양지 행성으로 떠난다. 잔뜩 들뜬 마음에 그들은 우주선의 속력을 더욱 높이는데 갑자기 높아진 속력으로 우주선은 경로를 이탈하게 되고 무작위로 쏟아지는 운석들에 부딪히는 일까지 겹치면서 우주선의 시스템에 오류가 발생하게 된다. 결국 그들은 근처 소행성에 착륙하게 되고 도움을 청하기 위해 우주선 밖으로 나가 행성을 배회하는데, 갑작스런 외계 생명체의 공격을 받게 되는데...

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

A monster stalks the corridors of an abandoned mansion, targeting those curious enough to find themselves inside. Two friends break in and discover that all exits have been sealed off. The creature that hunts them is growing hungry for their blood and there is no escape…

A young American man in Paris spots a beautiful woman in a crowd and is instantly smitten, but soon loses sight of her. Later, as he and several friends are sitting at a table at an outdoor cafe and he is describing her to them, he sees her again. His friends begin to tease him about her, and he bets them that he can win her love in 30 days even though he has no money.

She watches him through the window as he loads the final pieces of furniture into the truck. They are counting down the last hours in their home. Their seven-month-old baby is asleep, unaware of the trouble brewing. They will either vacate the apartment peacefully, or they will be forcefully evicted. Their home, her father's legacy, used to be their safe haven, their family nest. Now, corrupt courts, greedy bankers, and unscrupulous real estate investors have turned it into a site of their worst nightmares. As tension rise, they struggle to preserve their relationship. In the morning, as police knocks on their door, their future seems uncertain, but their options are very clear: either accept injustice or show resistance.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

TWELVE THIRTY is drama about a family with adult children that is broken, and a self-centered young man who, in the span of a week, becomes entangled in each of their lives, wreaking havoc in the process.

Giacomo Puccini's bittersweet opera of high-spirited bohemians and the doomed love between Rodolfo, the idealistic poet and Mimi, the consumptive flower-maker, is a beautifully balanced series of tableaux depicting the infectious joie de vivre of youth and the tragic waste of disease and separation. The legendary and incomparable partnership of Mirella Freni and Luciano Pavarotti as the two lovers has been captured in this special live recording from stage of the San Francisco Opera. Brian Large has adapted Francesca Zambello's production for video, further illuminating the fascinating interaction of Puccini's characters. Gino Quilico sings Marcello, the colorful and moody painter, whose tempestuous relationship with the flirtatious Musetta (sung by Sandra Pacetti), comically mirrors the more profound love of Rodolfo and Mimi. Nicolai Ghiaurov sings Colline.

Juan is about to come out so he is struggling to introduce Carlos as his boyfriend in the middle of a family Christmas dinner.

Too afraid to confess to his wife that he fell for another woman, a middle-aged man turns into a ticking bomb that might explode right into his face.

Shankar (Kishore Kumar) is employed in army and is visiting his village on leave. He is informed that he has lost his wife and father in an accidental fire. His child, Ramu, is unable to talk. Shankar sets off to city to get Ramu treated. Instead, he ends up in Meena's (Supriya Choudhury) house after a quarrel with Thakur leaves him wounded on the road. Meena begins to have feelings toward Shankar and Ramu. Thakur, on the other hand, has plans to get Meera married to his son. The only roadblocks for him are now Shankar and his son Ramu.