The daily lives of the Krahô Indians, who live in Palmas, Tocantins. The film portrays the culture of the clown Hotxuá and the Festa da Tora da Batata, the most important event of the tribe.

One day the snow left the forest and went to the city. At the same time, his leadership was the Snow Law, which says that if you fall out for the first time, you can get up and walk again, if you fall out a second time, you can also get up and go further. And if you fall out for the third time, then you will remain lying until you turn into a puddle.

Comprised of 4 episodes from the unsold TV series The Veil (1958) - "Whatever Happened to Peggy," "Destination Nightmare," "The Return of Madame Vernoy," and "Girl on the Road.'

우주탐험대 대원들은 우주선을 빌려 '센터리'라는 휴양지 행성으로 떠난다. 잔뜩 들뜬 마음에 그들은 우주선의 속력을 더욱 높이는데 갑자기 높아진 속력으로 우주선은 경로를 이탈하게 되고 무작위로 쏟아지는 운석들에 부딪히는 일까지 겹치면서 우주선의 시스템에 오류가 발생하게 된다. 결국 그들은 근처 소행성에 착륙하게 되고 도움을 청하기 위해 우주선 밖으로 나가 행성을 배회하는데, 갑작스런 외계 생명체의 공격을 받게 되는데...

Too afraid to confess to his wife that he fell for another woman, a middle-aged man turns into a ticking bomb that might explode right into his face.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Morishita, who came to Tokyo from Akita, made her debut as an AV actress at the age of 18, and quickly became so popular that she was called an AV queen. After retiring from AV after 10 years of activity and publishing an autobiographical book, she made a movie based on it. Morishita looked back at the time in the process of making the script, but due to prejudice against the profession of an AV actress, the content of the script goes in an unexpected direction. Meanwhile, Morishita reunites with her hated father for the first time since moving to Tokyo.

A boy's nightmares about being stalked by a demon slowly transform into a terrifying reality.

Pretty Bloody: The Women of Horror is a television documentary film that premiered on the Canadian cable network Space on February 25, 2009. The hour-long documentary examines the experiences, motivations and impact of the increasing number of women engaged in horror fiction, with producers Donna Davies and Kimberlee McTaggart of Canada's Sorcery Films interviewing actresses, film directors, writers, critics and academics. The documentary was filmed in Toronto, Canada; and in Los Angeles, California and New York City, New York in the US.

Fatty Finn is the six-year-old leader of a gang of kids in Woolloomooloo. They enter Fatty's pet goat Hector in the annual goat derby, but his rival Bruiser Murphy lets the goat loose before the race. After a series of adventures, Fatty finds the runaway goat and persuades a friendly aviator to fly him to the race-track in time for the main event.

A young woman relaxes at a riverfront restaurant. She recounts stories of her past experiences, finding enchantment in the flows of the river and the trees on the mountains nearby.

An extraordinary gathering of top musical stars appears in this live concert, celebrating the musical heritage of New Orleans. Aaron Neville and The Neville Brothers, Keith Richards, Walter "Wolfman" Washington, The Dirty Dozen Band, The Dixie Cups, and others appear; songs include "Fire on the Bayou," "Southern Nights," "Chapel of Love," "Trick Bag," "Tiptina," and many more.

In the 1980s, Rättvik became the new California and found its place on the global map of skateboarding. 40 years later, the past comes to life, and the 10-year-old skateboarder Hedda finds herself at the center of events.

Mischievous and introspective in turns, Anna Pollack’s lo-fi travelogue shot while visiting family in Jamaica showcases the distinctive camerawork and playful editing style of an emerging talent in NYC independent film. Loosely divided into four vignettes, its many standout moments include an encounter with an absurd would-be rasta and a charming game of celebrity hot-or-not.

Takashi Makino’s source of inspiration, our place in the world and the universe, never seems to dry up in view of the never-ending flow of immersive films. Generator may well be the earthiest of his films so far, made as a reaction to the Fukushima disaster. A reality check, but in the world that Makino shows, this can never be achieved without looking inwards too.