A reflection on loss, pain, sex and breathing.

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

In Ghosts On The Go, the gang crosses the Atlantic Ocean and takes on Europe! In Large Dragon at Large, the gang attends a Renaissance Faire, where a dragon interrupts their fun. While traveling in Greece, an ancient myth apparently comes to life because of a medallion Shaggy wears in It's All Greek to Scooby. In Pompeii and Circumstance, the gang's Italian vacation is interrupted by misdeeds in teh ancient city of Pompeii, leading to an ominous visit into the mouth of th no so dormant Vesuvius. And finally, the gang goes to Paris to see Daphne's cousin become a model, but only to discover she's been abducted by a giant gargoyle in Ready To Scare.

In a desolate place called the Badlands, four men stand off with guns drawn, their fingers ready at the trigger. Among them are a fugitive seeking redemption, a son out to avenge his father's murder, a loyal servant with a secret and a murderous criminal hired to kill with a vengeance. This is their story...in a place where revenge, deception and cruelty are a way of life.

When forces within and beyond this world conspire to snatch his son away, a father resolves to do whatever it takes to protect him.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

In celebration of Asian Heritage Month, HBO presents a collection of perspectives from a diverse group of Asian Americans.

Moscow, the 90s ... A city without a past and without a future. A city that doesn't forgive mistakes. Showing Moscow bohemia, the criminal business: nightlife, easy money, excitement and confusion form the surface of this life. The main characters of the film are businessman Mike and his friend and partner in smuggling Lev, a psychiatrist Mark and his school friend Irina who became the mistress of a nightclub, her two daughters - a crazy Olga working in the same club as a singer, and Masha - the “Moscow Princess” on the threshold of her thirtieth birthday. Love stories smoothly flow into a crime drama.

The deconstruction of the Avatar scenes and sets

‘피의 그믐날’로부터 15년 후인 서기 2015년. 켄지 일당은 인류를 멸망시키려 했던 테러리스트로 여겨지고 있고, 이를 저지한 ‘친구’는 전인류에게 추앙받는다. 어느덧 당당한 고교생으로 성장한 켄지의 조카․칸나는, ‘친구’에 의해 철저히 통제 된 현실을 참을 수가 없다. 결국 칸나는 ‘친구’의 존재에 의문을 품은 반 친구 고이즈미 쿄코와 함께 ‘친구’ 세뇌시설인 ‘친구랜드’로 보내진다. ‘친구랜드’는 반체제 세력을 세뇌하기 위한 국가시설로, 켄지 무리의 어린시절을 완벽하게 재현한 시뮬레이션 공간이었는데... 한편, 비밀기지의 멤버들은 ‘피의 그믐날’ 이후 뿔뿔이 흩어져, ‘친구’에 의해 통제된 세계에 저항하는 외로운 싸움을 계속하고 있었다. 우미호타루 형무소에 감금되었던 오쵸는 탈옥을 감행하고, 요시츠네는 조직을 통솔하여 잠복 중이며, 마루오는 가수 매니저로 생활하며 정체를 숨기고 있다. 몽 또한 독자적인 조사를 통해 ‘신 예언의 서’의 존재를 발견한다. 야마네, 그리고 사다키요, ‘친구’의 정체를 아는 동창들의 어린 시절 기억이 차츰차츰 되살아나고... 미스테리는 점점 더해간다. 도대체 ‘친구’는 누구란 말인가! ‘신 예언의 서’에 기록된 인류의 ‘구원자’는 과연 누구인가!

This film finds Angélique in a North African Muslim kingdom where she is now part of the Sultan's harem. The first part of the film consist of her angrily refusing to be bedded as well as their trying to literally beat some sense into her. It all seems to go on too long and I was surprised that the Sultan simply didn't have her killed. Late in the film, she finally decides to escape with the help of two Christian prisoners.

I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

A lonely man finds himself bedeviled by a malevolent force. But is it real or just all in his mind? (ALTER)

세탁소를 운영하지만 늘 빚에 시달리는 상현과 베이비 박스 시설에서 일하는 보육원 출신의 동수. 거센 비가 내리는 어느 날 밤, 그들은 베이비 박스에 놓인 한 아기를 몰래 데려간다. 하지만 이튿날, 생각지 못하게 엄마 소영이 아기 우성을 찾으러 돌아온다. 아기가 사라진 것을 안 소영이 경찰에 신고하려 하자 솔직하게 털어놓는 두 사람. 우성이를 잘 키울 적임자를 찾아 주기 위해서 그랬다는 변명이 기가 막히지만 소영은 우성이의 새 부모를 찾는 여정에 상현, 동수와 함께하기로 한다. 한편 이 모든 과정을 지켜본 형사 수진과 후배 이형사. 반 년째 이어온 수사를 마무리할 수 있는 결정적 증거를 포착하기 위해 이들의 뒤를 조용히 쫓는다.

Moscow, January 1996. Boris Yeltsin gets ready to run for a second mandate of the presidency of the young Russian Federation. Polls are in the single digits. A painful economic transition, war in Chechnya, and the rise of criminal groups have left the majority of Russians dissatisfied with Yeltsin… and willing to vote for the communist leader Gennady Zyuganov. Yet six months later, Yeltsin won the election with nearly 54% of the vote. How did that happen?

Tom, complete with mortarboard, is teaching a kitten the basics: "cats chase mice." But Jerry keeps subverting this lesson at every opportunity.

A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.