Dr Sheila Carlin is good friends with Della who calls Perry in when she is being pestered by someone. On the theory that it could be somebody that she works with at a radio stations she arranges Perry to be interviewed by Winslow Keene who is also the station's owner. Winslow enrages the rest of the talk show hosts on the station by informing them of changes that he is making to their time slots. That night, Winslow is shot by a hit man hired by someone at the station and Sheila is set up for the murder. She calls in Perry and as usual Perry, Della and Ken swing into action to find out who really did it.

A con man who stages phony "lucky legs" beauty contests and leaves town with the money is found with a surgical knife in his heart by Mason.

Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."

A young boy’s journey as they take his father to his final resting place.

Raquel's life is turned upside down when a terrible accident results in the death of her child and the confinement of her husband to a wheelchair. Without any way to support her and her disabled husband, Raquel turns to a life of crime and partners with a petty thief named Paco who falls in love with her.

Five short stories.

해질녘의 도쿄(東京) 세타가야구(世田谷区) 제3케이힌(第三京浜) 고속도로상에서 하얀 무스탕으로부터 새끼고양이와 젊은 여자가 내팽개쳐지고 뒤에서 오던 오토바이를 탄 소년에게 구조를 받는다. "고로(ゴロー)"와 "사치노(さち乃)"의 첫 만남이었고 두 사람은 함께 살기시작한다. 무스탕을 몰던 사내는 "훗사시(福生市)"의 구(舊)미군 하우스에 살며 동료인 "테루오(輝男)" · "케이코(敬子)" 커플과 같이 살고 있었고, "케이코"가 낳은 아이는 어느 쪽이 아버지인지 알 수 없지만, 아무튼 세 명은 같이 생활하고 있었는데, 어느 날, "테루오"가 조깅중에 심장발작으로 죽고 만다.

A woman is kept sedated by a cold-blooded kidnapper.

When two tough guys leave a bar to fight, their search for the right spot becomes an adventure.

See how Pirk got stranded in the past! Star Wreck V: Lost Contact was the first film to use live actors instead of cartoons. Real sets would have cost too much, so we decided to try bluescreen, just for fun. Our expectations weren't high, but it worked. So the movie was shot against a cheap blue bed-sheet and the blue background was replaced with spaceship bridges. The story was a parody of Star Trek: First Contact. The Korg send a ship back in time to 20th century Earth. The Kickstart, being the only functioning P-fleet ship around, has to follow. The Korg plan to assassinate rockstar Jeffrey Cochbrane (Played by Rudi Airisto and a pair of sunglasses) and his band Dethdestro before their concert attracts the attention of Vulgars. This would stop humanity's first contact aliens and change the future. If that wasn't bad enough, all Jeff wants to do is play loud and drink too much, but now Pirk and his crew must force him to save the world...

After fleeing a backwoods cult, a woman tries to turn her life around by taking a job in a home for special needs adults only to discover that she must face her dark past to save a down syndrome girl.

가족도, 친구도, 직업도 없이 벼랑 끝에 선 그 남자, 수영. 코리안 드림을 안고 국제 결혼한 태국 이주민 그녀, 마이 라띠마. 어느 날, 수영은 위험에 처한 마이 라띠마를 구해준다. 수영은 감당하기 힘든 현실 속에서도 밝게 웃는 그녀에게 마음이 흔들리고, 같은 상처를 공유하며 간절한 사랑을 시작하는 두 사람은 함께 서울로 떠난다. 그러나 고된 서울 생활에 수영은 어느새 지쳐버리고, 팜므파탈의 매력을 지닌 영진의 유혹에 빠져드는데…

A New York City newspaper is sued for libel after reporting the wrong verdict in a murder trial.

An inspiring look at how wonderful birth can be when your right to choose how, where and with whom you give birth is respected & protected. Every woman has the right to be informed about their options in childbirth. Through an exploration of home birth, this 87 min film looks at what natural, physiological childbirth really is. Is birth a medical emergency waiting to happen or a profound, natural and physiological event that women are designed for? The most comprehensive film ever made on home birth and a voice of reason in the debate, The Face of Birth outlines the importance of education in birthing and the right of a woman to choose the best and safest birth method for her and her baby.