Gruff retiree Rene rejects most human contact, but begins to soften once he comes to terms with his homosexuality.

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

Short film built from photographs, sped up like a traditional stop motion and is meant to be an evocation of the English Eerie and Folk Horror.

Cult filmmaker Tom DeSimone (Reform School Girls; Erotikus: A History of the Gay Movie) revisits the production of a lost gay film and resurrects youthful adventures on the California coast. From the creators of Raw! Uncut! Video!.

Video installation, 2005, at LOKAAL_01 Breda 2007, Burning Marl, curator Frederik Vergaert in Seppenshuis Zoersel, 2005. A woman walking through 3 video images. Three screens display how the day’s light passes by: from the early morning light until late at night. Along with the woman the artist walks through the forest, in the same rhythm, the same pace. Off-screen she looks through the camera, fragmenting time. The age-old androgynous trees are a vertical constant along which the woman moves, as if in an interval between visibility and invisibility, between sound and silence, while the light keeps on evolving metabletically.

LOOKING LIKE MY MOTHER is a film about family relationships and personal destiny, about realizing one's own potential and one's limitations. It traces the individual experience, showing the emptiness one can feel as well as the discovery of a sense of meaning in life. It is a very personal and courageous film that doesn’t search for scientific explanations but instead uses documentary and fictional material to weave an intimate biography. This combination of perception and memory suggests a deep reconciliation and allows tender feelings of a mother’s love to emerge.

Denis works as a bartender. Today, after closing the shift, he immediately goes home, because he has to meet his mother in the morning. But a friend's visit changes the plans for this night.

청나라 말기, 대륙을 뒤흔든 독보적 애국 무술가 ‘곽원갑’. 상인들에 대한 관리인들의 횡포에 맞서는 그의 모습을 지켜보던 혁명당원 ‘농경심’은 ‘곽원갑’에게 동경회의 비밀 임무를 함께 할 것을 제안하고, 두 사람은 함께 길을 나선다. 힘겨운 여정 끝에 도착한 마을, 그 곳에서 악인들의 공격으로 목숨을 잃고 터전을 빼앗긴 마을 사람들을 목격하게 되는데… ‘곽원갑’과 ‘농경심’은 자신들의 본래 임무를 제쳐두고 마을을 지키기 위한 전쟁에 뛰어들게 된다.

Tragedy doesn’t come any more Dickensian in tone or Shakespearian in scope than this dark social drama of the disintegration of a little family of four. A series of small debts triggers the swift domino effect that unleashes chaos on a well-meaning working class dad who has the bad judgment to speak truth to power.

A humble car mechanic decides to give his son, who has brought home an excellent school report, a golden watch. Unfortunately the jewellery shop where they go and buy the watch is held up and the boy gets killed. The man spends the rest of the movie trying to take his revenge...

On the night of March 5, 2002, an armed terrorist opened fire on civilians dining in a Tel Aviv restaurant. Druze policeman Salim Barakat quickly arrived on the scene and bravely eliminated him. However, he was killed by the terrorist. For ten years, Jamal, Salim's brother, has been attending annual police ceremonies in commemoration of his brother. Suspecting they may be withholding information, he decides to go on an investigative journey to find out who killed his brother. This is the story of a bereaved brother facing the Israeli security establishment, of a Druze facing the State of Israel, and more than anything, of a man facing himself.

Relive the magic of Thongchai "Bird" McIntyre's captivating performance at Bangkok Youth Center in 1988

Tonya is the new girl at school. Dealing with her sexuality, as well as past abuse, she is learning to accept loneliness while trying to find her place in the adult world.

The story of a forced march of the first proletarian shock brigade during World War II.

Félix Mayol performs The Trottins Polka (La Polka des Trottins, by A. Trebitsch and H. Christine) in this phonoscene by Alice Guy. This early form of music video was created using a chronophone recording of Mayol, who was then filmed "lip singing". Guy would film phonoscenes of all three major Belle Époque celebrities in France: Polin, Félix Mayol, and Dranem.