The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

An emotionally unavailable flight attendant meets a potential love interest and later finds out that her "perfect guy" has ulterior motives. As the clock ticks down on New Year's Eve, she must fight to keep her murdered ex-boyfriend's secrets or find herself dead.

맨느-오세앙은 파리에서 생나자르로 가는 기차의 이름이다. 프랑스로 여행을 온 데자니라는 기차에 탔다가 차표 문제로 인해 작은 소동에 휘말리고, 마침 같은 칸에 탔던 변호사 미미가 그녀를 도와준다. 이때부터 데자니라와 미미는 짧은 여행을 함께하며 많은 사람들을 만난다. , 의 자크 로지에가 연출한 또 한 편의 휴가 영화.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

A horror short with no dialogue (Advised to watch with headphones)

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

Call-center workers receive a phone call from God.

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

미 북부 뉴잉글랜드주 플래시드 호수. 샘플 채취중이던 환경보호청 직원이 물에 빠져 알 수 없는 거대한 물체에 의해 죽음을 당한다. 동료인 밀스는 곧바로 그 지역 경찰 서장인 라일리에게 알리고, 밀스와 어류 야생 동물청의 에마가 그와 함께 조사를 나간다. 한편 호수에서 물놀이를 하던 일행이 습격을 받고, 라일리의 아들 스콧은 그 지역 젊은이들과 함께 호수 건너편으로 야영을 가는데...

루이지애나의 낙후된 호수 늪 근처에 황폐한 호텔을 소유하고 있는 싸이코패스 성향의 남자. 그는 자신을 화나게 하거나 호텔을 비웃는 사람들을 죽인 뒤, 호텔 바로 옆에서 기르는 늪 속의 거대한 악어에게 시체를 던지는 취미를 갖고 있다. 1930년대 텍사스 지역의 실화를 각색했다.

I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

Delves deep into the anxiety, thrill and uncertainty of six aspiring animation artists as they are plunged into the twelve-week trial-by-fire that is the NFB's Hothouse for animation filmmakers.

During one of their night stays, three college teens play a silly prank where they randomly call people and tell them that they know who that person is and what they have done. What will happen when things take a dangerous turn?

상습적으로 강도질을 감행하던 건달 ‘러스티’와 일행들은 오랫동안 몸담았던 건달 조직에서 나와 새 삶을 꿈꾼다. 하지만, 큰 사건에 휘말리게 된 ‘러스티’ 때문에 끝까지 가게를 털어 큰돈을 마련해야 했던 ‘러스티’와 일행들은 돈을 전달하기 위해 이동하던 중, 정체불명의 무장강도 조직을 만나게 되는데.. 조직과 손을 털고 새 삶을 살려던 ‘러스티’ 일행. 과연 이들은 꼬여버린 세상에서 무사히 탈출할 수 있을 것인가!

People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.

When Marty's car is stolen, he sets out on a mission to find it; however, he soon realizes that the person who stole it is much more dangerous than he thinks.

Through a haze of smoke, coke, and booze; possible futures, pasts, and presents coalesce chaos inside the mind of a man drifting directionless through life. When your future calls, what will you have to say?