A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.

mtDNA 1Ce hg is a landscape study, shot in northern Iceland at 16mm, approximately 400 feet long. This piece shows an environment stripped of the human figure, evoked only by its vestiges, apparently abandoned in the solitude of a barren terrain and an inclement climate. The title of the piece appeals an archaic link between who looks and the environment that crosses with a certain strangeness in capturing a small fragment of the history of the crossroads.

기나긴 길, 두 대의 차, 두 명의 남자, 세대간 분열과 담배 한 갑.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

On July 9th GCW presents Fight Club Houston straight from Premier Arena in Houston, Texas. The lineup is almost completed, check it below: AJ Gray vs Bryan Keith Nick Gage vs Sadika Joey Janela vs Dante Ninja Mack vs Jack Cartwheel Effy vs Gino Jimmy Lloyd vs Carter Lucha Scramble .... more to be added soon!

데릭 왕자(Derek: 브라이언 니슨 목소리 분)의 활약으로 평화와 안정을 누리게 된 왕국은 축제 준비에 한창이다. 로스바트(Rothbart: 숀 라이트 목소리 분)와 함께 금지된 마법을 만들던 마녀 젤다(Zelda: 카탸 조치 목소리 분)는 로스바트가 파멸한 뒤 조용히 숨어 지내며 복수를 준비하고 있다. 어느 날 우연히 젤다는 그가 남긴 마법의 공식을 기록한 문서가 성 어딘가에 숨겨져 있다는 사실을 알게 된다. 마법의 공식을 손에 쥐어 세상을 자기 것으로 만들고자 하는 젤다는 한 번 들은 목소리는 그대로 흉내 낼 수 있는 신비한 능력을 가진 귀여운 황새 휘슬러를 협박해 마법의 공식이 어디 있는가를 알아오라고 명령한다. 폐기시킨 것으로 알려진 마법의 공식은 사실은 데릭 왕자와 로저스 경이 혹시 좋은 일에 쓸까해 성 깊은 곳에 잘 보관해 두었던 것. 오데뜨 공주(Odette: 미쉘 니카스트로 목소리 분)는 빨리 그 문서를 없애버리라고 종용하지만, 왕자는 축제가 끝나면 없애겠다며 미루던 중이다. 이웃나라 여자로 분장한 젤다는 로저스 경의 마음을 사로잡아 마법의 문서가 숨겨진 성안의 비밀장소를 알아내 결국 문서를 손에 넣는데 성공한다. 그러나 파괴의 마법은 끝 부분이 찢겨져 있었고 그걸 왕자가 따로 보관하고 있다는 걸 안 젤다는 오데뜨를 납치해서 그 조각을 가져오라고 왕자를 유인한다. 원하는 것을 손에 넣은 후 오데뜨를 없애려고 하는데.

Truck drivers Ronny and Micke have a secret relationship. They meet up at rest areas along the road, where no one can see them.

The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

Every spring, Hollywood hosts a very species-specific migration: kids. Thousands of aspiring child actors flock to Tinseltown for pilot season, the traditional casting period for new network and cable television shows. But unlike adult actors who pound the same star-lined pavement, kids come with their families. Many set up camp at the Oakwood, a temporary housing complex that caters to the showbiz flock.

In humanity's distant future, two interstellar states-the monarchic Galactic Empire and the democratic Free Planets Alliance-are embroiled in a never-ending war. The story focuses on the exploits of rivals Reinhard von Müsel and Yang Wen Li as they rise to power and fame in the Galactic Empire and the Free Planets Alliance.

Documentary about Fidel Castro, covering 40 years of Cuban Revolution. Rare Fidel Castro footage: he appears swimming with a bodyguard, visiting his childhood home and school, playing with his friend Nelson Mandela, meeting kid Elián Gonzalez, and celebrating his birthday with the Buena Vista Social Club group.

In our current world, where worth is often gauged by online popularity, an economy has developed for paying for followers and likes. Through access inside the “click-farms” of Bangladesh, Like explores the multi-million dollar industry that grows social media followings for celebrities and brands alike.

An atmospheric venture into slow cinema, following Rose, a down and out gay prostitute, trapped in the minutiae of his quiet and isolated life.

A shot-for-shot remake of Indiana Jones and the Raiders of the Lost Ark (1981), started by three 12-year-olds and completed over a period of six years.

Bus driver Stan Butler agrees to marry Suzy, much to the anguish of Mum, her son-in-law, Arthur, and daughter Olive. How, they wonder, will they ever manage without Stan's money coming in? Then Arthur is sacked, and Stan agrees to delay the wedding. Meanwhile, he hits on an idea: Arthur should learn to drive a bus. Somehow he does just that, and even gets a job. Stan then blackmails the Depot Manager into giving him the job of driver on the new money-making Special Tours Bus. A great idea ...if only the inspector hadn't taken Stan on his trial run to the Windsor Safari Park

"This piece, with the generic title Film, is a series of short videos built around one protocol: a snippet of news from a newspaper of the day, is rolled up and then placed on a black-inked surface. On making contact with the liquid, the roll opens and of Its own accord frees itself of the gesture that fashioned it. As it comes alive in this way, the sliver of paper reveals Its hitherto unexposed content; this unpredictable kinematics is evidence of the constant impermanence of news. As well as exploring a certain archaeology of cinema, the mechanism references the passage of time: the ink, whether it is poured or printed, is the ink of ongoing human history." –Ismaïl Bahri

Baby Girl, 30, a poet with a bachelor's degree in arts, is anguished because of her relationship with Pirkka, a relatively smart, young man. Baby Girl's parents, Eila and Rampe, do their best to become friends with Pirkka and his elegant mother. Through coincidence and error Eila occupies her summerhouse neighbors' empty luxury villa. When Pirkka's mother drops by, Eila lies that she and Rampe own the fancy house. The showing off and lying escalate when Eila's mother and sister show up. The real owners of the house, an upper-class couple, Thomas and Monica, are driven away to Eila and Rampe's modest cottage.

Drama descends upon two tennis-obsessed women as the tension moves from off the court and into the café.