초상화를 그리고 있는 히데오의 모델이 그림을 망쳐 놓자 히데오는 팔렛 나이프로 모델을 찌른다. 피로 범벅이 된 캔버스에는 눈가에 점이 있는 여자의 모습이 그려져 있다. 그리고 이미 죽어있는 여자 앞에서 '사랑해, 토미에' 라고 중얼거리는 히데오. 다음날. 타쿠미와 준이치가 우울해 하는 히데오를 위해 미팅을 주선한다. 그런데 미팅 장소에 낯선 미소녀 한명이 나타난다. 남자들은 그녀의 미모에 반해버리지만 타쿠미와 준이치는 놀라움을 감추지 못한다. 그 소녀는 전날 밤 타쿠미와 준이치가, 히데오를 도와 숲 속에 매장을 했던 토미에였기 때문이다. 얼마 후 히데오는 화장실에서 피를 흘리며 죽은 채로 발견된다. 이어 타쿠미와 준이치, 그리고 타쿠미의 애인 히토미의 앞에 나타난 토미에. 토미에가 그들에게 나타날 때마다 기묘한 일이 생기면서, 그들을 차례로 광란과 공포의 세계로 몰고 가는데…

Static images of an old country house are combined with voices of the past to evocative effect. Haunting and nostalgic, 'Return' conveys the life that exists in old, abandoned places.

Return is a methodical construction of the approach of an individual towards an unseen goal, which assumes metaphorical significance. Viola moves toward the camera/viewer, pausing every few steps to ring a bell, at which point he is momentarily thrust back to his starting place, and then advanced again. Finally reaching his destination, he is taken through all of the previous stages in a single instant and returned to the source of his journey.

After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.

RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.

Eyüp decides to cross mount Ararat looking for his aunt in Yerevan after following a madman's words. His aunt has also been expecting someone to come from behind this mount for many years. Eyüp cannot be sure about the woman he finds behind the blue door, whether it is his aunt or not because they can't understand each other.

San Francisco filmmaker Konrad Steiner took 12 years to complete a montage cycle set to the late Leslie Scalapino’s most celebrated poem, way—a sprawling book-length odyssey of shardlike urban impressions, fraught with obliquely felt social and sexual tensions. Six stylistically distinctive films for each section of way, using sources ranging from Kodachrome footage of sun-kissed S.F. street scenes to internet clips of the Iraq war to a fragmented Fred Astaire dance number.

The two remaining puppets learn about eating healthy, but things go awry when they receive a mysterious phone call.

A construction film collected from archival footage of the twenties and thirties of the last century, preserving memories of the construction of a new life and way of life: the launch of the metro, hard work in production, cultural life and recreation. By combining two parallel stories - the state film chronicle and diary entries - an attempt is made to revise historical archives and customary knowledge about time. The collective image of a hero from the crowd is brought to the fore.

Emma returns to her childhood home only to find her past catching up with her.

정체를 알 수 없는 최악의 바이러스로 인류의 80퍼센트가 사망한 지구, 갑자기 죽은 자들이 되살아나 생존자들을 공격하기 시작한다. 마지막 인류를 보호할 방법은 오로지 그들을 다시 죽이는 것뿐! 지구 최후의 특수부대 R부대는 이제 인류를 구하기 위한 치열한 전투를 결심, 목숨을 걸고 적진의 한복판에 뛰어든다.

During a chicken picnic, Yellow Guy gets upset after Green Bird kills a butterfly. Yellow Guy then meets a butterfly that takes him on a journey to discover his concept of love.

독특한 저예산 호러영화를 만들어 온 래리 코헨 감독의 1982년 작품

François Marsault, a war veteran, makes the most of his retirement alongside his wife Annie. Authoritarian and ruthless, François rules his family with an iron fist — but when he discovers that his esteemed wife cheated on him 40 years ago, he files for divorce and confronts her former lover, who lives in the French Riviera.

Since some bird chicks hatched in the neighborhood, the bat hasn't got any sleep.

Uma Thurman boogies, Harvey Keitel whips out his gun, Hitler’s head is sliced in half. And Quentin Tarantino sits serenely through it all, impervious to the mayhem he’s created.

1년 전 사랑에 빠진 캘리와 조지프. 서로에 대한 애정이 더욱 굳건해진 두 사람은 가족 사업을 위해 농장을 떠나 샌프란시스코로 향한다. 곧 다가올 결혼식을 기대하면서.

Dane ‘Marbles’ Marbeck can see ghosts, thanks to a homemade drug: his late father’s neurological medication mixed with marijuana. Officer Jayson Tagg, a wannabe super-cop on the trail of a serial killer, ends up murdered. So when Marbles’ mum plans to sell the family farm, and the only way of buying the house off her is taking the money offered by Tagg in exchange for his help, Marbles accepts. The unlikely duo of stoner medium and ghost cop struggle to reconcile their differences while they navigate their way through ghouls, perverts, a mysterious hooded figure, and an unexpected shot at love. It becomes clear the only way Marbles and Tagg will solve the case with their souls intact is to confront their deepest regrets and overcome their prejudices.

전작 《휴가 친구》로부터 몇 달이 지난 시점, 신혼부부가 된 마커스와 에밀리는 갓 결혼해 아이까지 생긴 론과 카일라를 카리브해 휴가 여행에 초대한다. 론과 카일라는 모르고 있지만, 마커스는 이곳에서 리조트 회장을 만나 시카고 호텔 건설 계약을 따낼 계획이다. 그러나 예상과 달리 일정에 바뀐 데다, 갓 출소한 카일라의 아버지 리스가 갑자기 리조트에 나타나는 바람에 모든 일이 꼬이기 시작한다. 목숨을 건 서핑과 술 게임에 수상한 스노클링과 난데없는 정글 추격전까지! 한 치 앞을 내다볼 수 없는 이 휴가, 무사히 마칠 수 있을까?