Six-time Grammy Award–winning composer Terence Blanchard brings his first opera to the Met after his Fire Shut Up in My Bones triumphantly premiered with the company to universal acclaim in 2021. Bass-baritone Ryan Speedo Green is the young boxer Emile Griffith, who rises from obscurity to become a world champion, and bass-baritone Eric Owens portrays Griffith’s older self, haunted by the ghosts of his past. Soprano Latonia Moore is Emelda Griffith, the boxer’s estranged mother, and mezzo-soprano Stephanie Blythe is the bar owner Kathy Hagan. Yannick Nézet-Séguin takes the podium for Blanchard’s second Met premiere, also reuniting the director-and-choreographer team of James Robinson and Camille A. Brown.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

A 17-year-old girl faces a life with an adverse perspective, where her social life, her experiences, her happiness and emotional stability only depend on a thread that is too damaged.

A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.

In "Spaces #2", 7 internationally acclaimed directors shot, after commissioning by the Thessaloniki International Film Festival, a short film at home, making their own timely comment on the new reality that we live in. The project is inspired by the book "Species of Spaces" by the French novelist, filmmaker, documentalist, and essayist, Georges Perec and the days of quarantine. The idea is to create a film at home, using the environment, the people or the animals in that space. The only outdoor areas that may be used are outdoor living spaces, such as the terrace, the garden, the balcony and the stairwell. This is Rachel Leah Jones's submission.

Mexican feature film

Four people are living their normal lives when they are mysteriously transported to a strange basement. When they try to find a way out, things take a turn.

1893, city of Mostar, Herzegovina, Austro-Hungarian Empire. Stoyan, a poor country boy comes to town and starts to work for a rich but crooked and greedy store owner.

홍콩에서 막강한 조직력과 세력을 갖고 있는 '홍성파'는 호시탐탐 다른 폭력 조직의 목표가 되면서 존립이 흔들리게 된다. 또다른 폭력 조직 '동성파는 홍성파를 와해시킬 목적으로 홍성의 두목을 살해하고 이를 은폐하기 위해 홍성파의 부두목인 '진호남' (정이건 분)에게 누명을 씌우고 '홍성파'의 내분을 노린다. 한편, '진호남'의충직한 부하 '삼계'(진소춘 분)는 자신이 모시는 '진호남'을 위해 동성파의 두목을 폭행하는데 '동성파'의 까마귀라는 인물은 이런 상황을 이용, 조직을 차지할 욕심으로 자신의 두목을 살해, '삼계'에게 죄를 뒤집어 씌운다. 누명을 쓴 '삼계'는 이 일로 경찰서에 끌려가지만 증거 불충분으로 풀려 나고 '진호남'의 누명을 벗길 수 있는 비밀 테입을 제공받는 대가로 '삼계'는 동성파 일망타진을 위한 수사에 협조할 것을 약속하는데.

이루마 미치오가 도쿄지방법원 형사부(통칭 이치케이)를 떠난 지 2년이 지났다. 전근을 간 그는 국방 장관직에 얽힌 상해 사건을 담당하게 된다. 그는 이지스함 충돌 사고가 사건의 배후라는 것을 깨닫지만, 항해 내용이 국가 기밀이기 때문에 수사가 어렵다는 것을 알게 된다. 그러던 어느 날, 마을을 대표하는 현지 대기업에 대한 의혹이 일어나고, 얼핏 다른 2개의 사건에는 충격적인 진실이 숨어있는데…

Centers around a group of college kids as they are driving on an unfamiliar road. Everything seems fit for a road trip to the lake but, when the group accidentally runs over an unsuspecting squirrel, they quickly realize there will be a price to pay. The cursed road brings the zombie squirrel back to life to terrorize the kids. After the kids crash and everyone is injured except the younger brother, he is forced to set out on a journey to defeat the ancient curse and save his brother and friends before it is too late.

A farmer wanted words to go with the tune he was playing when he saw a frog sitting on the bank of the stream. The frog did something silly which gave the farmer the words for his song. The farmer went to the corner store to sing his song for people there.

The Cold War and Civil Rights collide in this remarkable story of music, diplomacy and race. Beginning in 1955, when America asked its greatest jazz artists to travel the world as cultural ambassadors, Louis Armstrong, Dizzy Gillespie, Duke Ellington and their mixed-race band members, faced a painful dilemma: how could they represent a country that still practiced Jim Crow segregation?