Mickey is a railroad engineer with an anthropomorphic locomotive. He feeds the train (coal), then feeds his dog, then makes lunch for himself. Minnie drops by and plays a tune on her fiddle while Mickey dances. After lunch, the train has trouble climbing a hill, and the last car with Minnie aboard detaches and runs away.

고양이 톰이 없는 동안 미키와 미니가 즐거운 한때를 보낸다.

1929년 런던. 런던 경시청의 바쁜 형사 프랭크 웨버는 여자 친구 앨리스 화이트보다 자신의 일에 더 관심이 많은 듯합니다. 자신이 무시당하고 있다고 느낀 앨리스는 우아하고 예의 바른 예술가와 데이트하는 데 동의하고 자신의 멋진 아파트로 초대합니다.

Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

1992년 유엔 G센터에서 개발된 메카고지라는 고지라와 싸웠지만 패배했다. 6500만 년 전 알에서 태어난 베이비 고지라를 미끼로 고지라를 유인하려 했지만, 라돈의 습격으로 실패했다. 결국 고지라에게 베이비를 돌려주자 고지라는 파괴를 멈추고 베이비를 데리고 바다로 갔다.

Looping, chugging and barreling by, the trains in Benning's latest monumental film map a stunning topography and a history of American development. RR comes three decades after Benning and Bette Gordon made The United States of America (1975), a cinematic journey along the country’s interstates that is keenly aware “of superhighways and railroad tracks as American public symbols.” A political essay responding to the economic histories of trains as instruments in a culture of hyper-consumption, RR articulates its concern most explicitly when Eisenhower's military-industrial complex speech is heard as a mile long coal train passes through eastern Wyoming. Benning spent two and a half years collecting two hundred and sixteen shots of trains, forty-three of which appear in RR. The locomotives' varying colors, speeds, vectors, and reverberations are charged with visual thrills, romance and a nostalgia heightened by Benning's declaration that this will be his last work in 16mm film.

A film director fades away from the industry after the failed love with the heroine of his movie. After being rehabilitated, he learns that some people conspired his fall and decides to take revenge.

This film is a mix of landscape images seen from train windows and the patterned shapes and shifting tones of moving-visual-thought thus prompted; it was inspired by Robert Breer's FUJI.

Ophelia, a young nun recently arriving in the town of San Ramon, is forced to perform an exorcism on a pregnant woman in danger of dying. Just when she thinks her possession has ended, she discovers that the evil presence hasn't disappeared yet. The director of the award-winning Here Comes the Devil and Late Phases adds a new twist to possession movies in one of this year's Latin American horror surprises.

*여직원의 맛* 박과장은 사무실에서 호시탐탐 여직원 가희를 두고 혼자만의 상상을 하는데 이런 박과장의 시선이 너무 부담스러운 가희, 어느날 박과장이 먼저 퇴근하고 비밀연애를 하는 직장동료 우진과 사무실에서 섹스를 즐긴다. 잠시후 퇴근한 박과장이 문을 여는데... *극장의 맛1* 극장에서 영화를 보고있는 연인, 영호와 수련은 주변에 사람이 없자 수련에게 들이대는 영호, 뒤에 사람이 있다며 영호를 말린다. 잠시후 화장실에 갔다온 수련은 안경이 부서져서 앞을 잘 못보고 영호가 아닌, 낯선 남자 옆으로 가는데... *모텔의 맛* 학교선후배 영호와 혜진이 모텔에서 맥주를 마신다. 혜진이 조만간 남자친구와 첫날밤을 치룰 것이라며, 예행연습을 하자고 후배한테 제안한다. 영호는 걱정말라며 호기롭게 이야기 하지만, 이내 혜진의 첫경험이 처음이 아닌 것을 느낀다. *극장의 맛2* 시련의 상처로 혼자 영화보고 있는 영호 옆으로 낯선 여자 수련이 앉는다.영호의 사연을 우연히 듣게 되고, 영호를 위로하던 중 조용한 극장에서 둘만의 섹스를 즐긴다.

연합군의 전투비행단이 독일 전투기에 급습을 당한다. 홀로 적진에 추락한 파일럿은 독일군의 추격을 받고 런던 폭격의 일급 작전인 코드네임 ‘울프 하운드’를 알게 된다. 독일군 기지에 잠입해 포로로 잡힌 동료를 탈출시키고 폭격을 막기 위해 함께 지상전과 공중전을 벌이는데…

부패한 주지사와 무자비한 마약왕 사이의 거래가 실패로 돌아가자 전직 특수부대 요원 닥(그릴로)이 용의선상에 오르게 됩니다. 이제 닥은 가족이 위험에 처한 상황에서 멕시코 마약 카르텔을 소탕하고 자신의 인생에서 유일하게 긍정적인 존재인 어린 딸 '리틀 딕시'를 지키기 위해 무엇이든 해야 합니다.

Pacific Coast Academy alumni return to Malibu for an over-the-top wedding that turns into a high school reunion for the books.

Meet a tiny girl named Thumbelina who lives in harmony with nature in the magical world of the Twillerbees that's hidden among the wildflowers. At the whim of a spoiled young girl named Makena, Thumbelina and her two friends have their patch of wildflowers uprooted and are transported to a lavish apartment in the city.

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

Six college friends blowing off steam on a camping trip, find themselves caught up in a cat and mouse hunt with an Alien monster. Not knowing what to do or who to trust, they struggle to protect themselves. Reluctantly, they join forces with another, seemingly friendly, alien, Ava, who orbits the Earth and appears to them in the form of an avatar. Having only one chance at stopping the monster, they must race to locate and repair the Ava’s earth sent robot, before it slaughters them one by one.

When Jason Dyson refuses to make his prized fighter throw an MMA match, a notorious gangster collects his debt by killing the fighter and kidnapping Jason's daughter. Now he must train a prisoner to endure five consecutive underground fights to save her.

The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.

When Max (Eric Stoltz), urged on by "Risk Management," a self-help book for the hapless, decides to approach his fellow ferry-commuter Rory (Susanna Thompson), he hopes simply saying hello might change his life for the better. But Rory only accepts contact by contract. Max finds he can play along. As the two negotiate a whirlwind relationship on paper, Rory slowly lets down her guard; but when her unresolved personal life intervenes in the form of Donald (Kevin Tighe), Max must manage a little more risk than he bargained on.