The Tooth Fairy is back. 15 years after the events of the first movie, Corey, now grown up but mentally scarred has gone to a class reunion. However, the Tooth Fairy is back, and this time - You better have flossed properly.

Aspiring rock musician Neal Downs manages a cereal bar. Stylish Miss Pussy Katz is the creator of radically-themed art clothing. When the cereal bar, brings in an offbeat crew of locals, who debate the arcana of cereal history and ideal milk/flake ratios, an aspiring capitalist rips off their concept.

David McDoll is a selfish and wealthy man living an enviable lifestyle in his large villa and collecting fancy cars. However, his life is about to be changed forever when he inherits his six grandchildren. His glamorous lifestyle quickly becomes complete chaos. But he will learn a valuable lesson that teaches him about placing family first and discovering a newfound appreciation for life.

A man peacefully sips his coffee, engrossed in a book, until a door suddenly swings open, revealing a dimly lit room.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

드디어 초신이 아기의 모습으로 탄생, 그는 아마노쟈쿠를 소환하여 동쪽에서 벌어지고 있는 일에 대한 조사를 지시한다. 광왕을 이용해 세계를 장악하려는 포악한 지배자 시저와 뮨히하우젠, 멸망한 세계에서 태어난 괴물 종족 마케모노의 건달 부쥬, 시저의 딸 아레크토, 광왕의 화신인 소녀 히미 등이 벌이는 이야기

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

Brindavanam 은 Vamshi Paidipally 가각본 및 감독2010년 인도 텔루구어 로맨틱 코미디 영화입니다 . 이 영화에는 NT Rama Rao Jr. , Kajal Aggarwal 및 Samantha 가 출연 하고 Prakash Raj , Srihari , Kota Srinivasa Rao , Mukesh Rishi , Ajay , Tanikella Bharani 및 Brahmanandam 이 중추적인 역할을 합니다. 영화는 Dil Raju 의 Sri Venkateswara Creations 에 의해 제작되었습니다 .

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

Popeye is planting his spinach bed. Just as he finishes, the plants start disappearing. He discovers a gopher filching the baby plants and starts battling it.

In the Mouffetard district of Paris, Jérôme Crainquebille, an affable four-season merchant, is stopped by a police officer and taken to the station, unjustly accused of shouting "Mort aux vaches!" ("Death to the cows!"). When he returns to work after a fortnight's detention, he is ostracized by his neighbors. Lonely, Crainquebille sank into despair and alcoholism. His life in prison seemed sweeter, and his attempts to return were in vain. He owes his salvation to the affection of a local kid.

Algeria seen as a constant construction site. The eye moves through the chaos of the Algerian architecture, where most of the buildings are left incomplete. This is an essay on photography and video, but also on graphics and music.

A gunfighter and a cowboy help a Mexican girl avenge the land-related murder of her parents.

A pandemic has ravaged the world outside. Julia and Volodya are a couple that suffers from Coronaphobia by taking the safety measurements far too seriously. After anticipating all the possible scenarios and doing breathing exercises, the couple reluctantly goes out to the street, a place, in Volodya’s own words, “full of COVID bastards”. Armored and hysterically, the couple arrives at an ordinary supermarket. Almost turning against each other, their suspicion is translated into episodes of excessive outrages against the local shoppers who, according to the couple, are painfully and inconsiderably carefree. Their mission seems to be a success until they encounter an unmasked shopper. From then on, things go downhill for the main characters.