Anne Shirley, now a schoolteacher, has begun writing stories and collecting rejection slips. She acts as Diana's maid of honor, develops a relationship with Gilbert Blythe, and finds herself at Kingsport Ladies' College. But while Anne enjoys the battles and the friends she makes, she finds herself returning to Avonlea.

The story of Charlotte Brown,a waitress and young single mother who will do anything for her daughter Jenny, and when push comes to shove, she does. With a menacing figure on the other end of the phone and a time limit of two hours,she must raise enough money to ensure that she sees the smiling face of her child again. Charlotte's customers are her only hope. The clock is ticking as we see the desperate young mother dealing with one eccentric customer after the next, displaying her charming vulnerability and inspiring strength through all the chaos. With her feet firmly planted on the ground, Charlotte maintains her focus and attempts to beat the clock and save the day.

Full performance of the now classic Magma trilogy recorded live at the famous Triton at Les Lilas in November 2014

1912년, 최대 호화 여객선 타이타닉 호가 아메리카를 연결하는 처녀 항해에 나선다. 상류층인 스터니 부인(Julia Sturges: 바브라 스탠 위크 분)은 남편인 리차드(Richard Ward Sturges: 클리프톤 웨브 분)와의 불화로 아네트(Annette: 오드리 달튼 분)와 아들을 데리고, 타이타닉호에 승선한다. 아들을 따라온 리차드는 가족들과 만나지만 아내는 냉담하기만 하다. 한편 타이타닉의 승무원인 기프 로저스(Giff Rogers: 로버트 와그너 분)는 승선하는 아네트를 보고 첫눈에 반한다. 부모님의 불화로 마음을 둘곳 없던 아네트 역시 그의 순수한 마음에 이끌려, 결국 이들은 신분의 차이를 넘어선 사랑에 빠진다. 한편, 뉴 펀들랜드 남방에 가까워질 무렵, 빙산의 위험을 알리는 여러번의 경고가 타이타닉 호에 전달된다. 그러나 선장은 이 경고를 무시하고 속력을 줄이지 않은 채 항해를 계속한다. 그 결과 출항한지 4일만에 타이타닉은 빙산과 부딪혀 침몰하기 시작한다.

An aging, down-and-out public employee must face the primary school examination.

F, an 18-year-old boy, immerses himself in the world of the Drag Queen where he begins to build his identity despite family and social mandates, which impose on him to be afraid and ashamed of being who he is.

The last remaining film of Le Prince's LPCCP Type-1 MkII single-lens camera is a sequence of frames of his son, Adolphe Le Prince, playing a diatonic button accordion. It was recorded on the steps of the house of Joseph Whitley, Adolphe's grandfather.

태양계에서 새롭게 발견된 수수께끼의 별 X성을 탐사하던 P-1호는 X성에서 고도의 문명을 지닌 X성인을 만나게 된다. 모든 것을 숫자로 부르는 X성인은 그 곳이 공포의 괴수 ‘몬스터 제로’에게 공격받고 있다고 말하는데, 몬스터 제로의 정체는 다름 아닌 우주대괴수 킹 기도라였다. X성인들은 지구인들에게 킹 기도라와 싸우기 위해 ‘몬스터원=고지라’와 ‘몬스터투=라돈’을 빌려달라고 요청한다. (2014년 18회 부천국제판타스틱영화제)

When '80s B-movie icon Tim Thomerson wakes up one day to realize the acting roles are not coming his way any more, he sets out on a quest to find his former co-star Lance Henriksen to discover his secret of Hollywood longevity and gets more than he bargained for in the process.

When Sara takes Beethoven to spend summer vacation with wacky Uncle Freddie in an old mining town, the mischievous canine "digs up" the missing clue to a legendary hidden fortune of Rita and Moe Selig. Now everybody wants to be the dog's best friend as his discovery unleashes a frenzy of treasure hunting among the community's cast of kooky creatures. With help from Uncle Freddie and Garrett (a friend or maybe more), Sara and Beethoven try to help uncover a secret that has been in the crazy little town for years.

Loki declares he wants to be an Avenger, so Iron Man decides to make Loki an "Avenger In Training." It's a great plan until Thanos arrives on Earth looking for Loki.

The lives of a nightclub owner, a crime boss, a stripper, a bartender, two hitmen, a prostitute and a psychic take a turn for the worse when they are trapped in an escaped mental patient's sinister path of madness and destruction.

소쿠로프의 ‘엘레지 연작’ 중 한 편으로서, 소쿠로프의 동료이자 가장 존경하는 감독인 안드레이 타르코프스키에 대한 다큐멘터리이다. 감독은 타르코프스키의 무덤과 그가 살았던 집 등을 찾아가며 타르코프스키가 영화사와 러시아의 문화에 남긴 귀중한 유산들을 천천히 짚어본다.

A veritable feast awaits fans of Ian Anderson's Jethro Tull on this elaborate DVD package, which boasts extensive concert footage and a load of extras. The focal point is nearly two hours of performances, filmed in late 2001 (primarily in London, with additional material from several other locations) and featuring material from the band's entire lengthy career, including such staples as "Aqualung" and "Bouree." The current Tull incarnation (featuring, as always, Anderson on vocals, flute, and sundry other instruments) takes center stage; there are also a couple of numbers with a string quartet, and even a small-club reunion of the lineup that made the group's very first album back in 1968. Interviews with band members, testimonials from rabid fans, photos, and even an option for viewing a Tull performance from three different audience points of view are among the generous helping of extra features.

Re-re-repeat A rhythmic dialogue between sound and image: exploring space, corporeal phenomenology and chance outcomes, which alter perceptions of time and memory.

토코는 멋진 남편과 귀여운 딸과 함께 남부럽지 않은 삶을 사는 것처럼 보인다. 하지만 10년 만에 옛 애인 쿠라타를 마주치자 마음속 깊이 간직한 복잡한 감정이 조금씩 되살아난다. 한편, 쿠라타에게는 비밀이 있다. 과거와 현재가 충돌하는 순간, 토코는 아무도 상상하지 못할 결심을 내린다.

A day in the life of John Lennon, alive and well in modern-day New York City. The former Beatle squabbles with a security guard, commiserates with his best friend over lunch, and upsets a bully.

Under the watchful gaze of his young assistant, the artist Mark Rothko takes on his greatest challenge yet: to create a definitive series of paintings for the Philip Johnson-designed Four Seasons restaurant in architect Mies van der Rohe’s iconic Seagram Building. Award-winning stage and screen actor Alfred Molina reprises his critically acclaimed performance as the American abstract expressionist painter Mark Rothko in playwright John Logan’s Tony Award-winning 2010 play Red. Molina is joined by rising star Alfred Enoch (How to Get Away With Murder) as Rothko’s assistant Ken. Original Broadway director Michael Grandage returns to direct this 2018 West End revival, the first U.K. production since the play’s 2009 world premiere at the Donmar Warehouse.

„Weathering data“ explores the entanglements of humans, weather and insects in a data driven world. It follows dragonflies on multiple scales through time and space: from their geological past into uncertain futures, from ecosystems to museum collections, from embodied weather worlds into detached data clouds while multiple insect identities are mediated, shaped and reshaped by co-evolving modes of mapping, monitoring and collecting. On the edge of biocultural diversity extinctions, and situated in the new climatic regime, the speculative video essay traces the metamorphosis of a data bank into a consciously collecting network: pausing monological accumulations of data it is unlocking memory space for alternate knowledges, cultural values, colonial histories and eco-logical futures. While data based ontologies promise measures of knowing and controlling futures the recollection of traditional ecological knowledge reframes observation as practice of care.