사진 스튜디오를 경영하는 프로 사진작가 토마스는 조금은 거칠다 싶을 정도로 편집증적인 성격을 갖고있다. 늘 새로운 사진을 위하여 동분서주하던 토마스는 크리이언트인 론이 의뢰한 책의 화보의 앤딩 부분의 구상을 준비하러 공원으로 나가서 무작위로 이것 저것 사진을 찍다 연인처럼 보이는 한쌍의 연인을 발견하고 숨어서 그들의 포옹 장면 등 많은 포즈들을 찍는다. 그러다 이를 발견한 여자가 쫓아와서 필름을 내놓으라고 강요한다. 그는 자신이 사진작가임을 내세워 나중에 사진을 보내주겠다고 제의하는데, 그때까지만 해도 집요하게 필름을 요구하던 여자가 갑자기 도망치듯 사라져 버린다. 토마스는 론을 만나서 확보의 컷들을 합의하고 집으로 돌아오는데 공원에서 만난 그 여자가 집앞에 와 있었다. 집을 가르쳐준 적도 없는데 찾아온 여자를 수상하게 여긴 토마스는 엉뚱한 필름을 넘겨주고 곧 현상작업에 들어가는데...

Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...

On the streets, people wander loose, almost free from any attachment like astronauts in space. From that analogy comes 'Moon Street'. While to the spaceships the moon works as reference, in Porto Alegre some cosmonauts find their north on Garibaldi street. Taking over professor's Edward Nkoloso dream and his Zambian space program, this documentary tries to bring the moon and the street together, claiming for a democratic space (urban and cosmic), away from the domain of powerful countries and avenues. How do the urban cosmonauts perceive the stars? The dispute? The dream? Neither USA, or Soviet Union, we searched for space through the free eyes of the forgotten, and many times invisible , street astronauts.

A photographer has an accident which not only screws up his lab but dumps a great deal of debris into the street below, causing general chaos.

A young boy builds a raft to reach his mother in the land of the dead, which he believes is at the end of the river that runs alongside their property.

A young actress arrives late to a casting, making up a great excuse without knowing a small detail.

Grim desperately needs one more soul to win his work competition, but his last scheduled collection at a rigorous bike race turns his world upside-down. At the finish line, he learns that life is not always about the trophy at the end of the race.

Created thanks to the funds provided for the production of new artworks awarded to Dora García for the 45th PIAC, The Joycean Society is a film about a book club dedicated to James Joyce's Finnegans Wake; The Zurich-based group of students, admirers and connoisseurs read and dissect passages from what is often said to be "the most difficult book in the world".

The story revolves around a woman who has been forced to serve as a sex worker.

Alan (Johnny Vegas) searches for answers in all the wrong places and this time he thinks he's found them...on the internet in the form of a highly trained deadly assassin. But he's about to learn the true price of entering the 'dark_net'.

Through seven scenes, the film follows the life and destinies of stray dogs from the margins of our society, leading us to reconsider our attitude towards them. Through the seven “wandering” characters that we follow at different ages, from birth to old age, we witness their dignified struggle for survival. At the cemetery, in an abandoned factory, in an asylum, in a landfill, in places full of sorrow, our heroes search for love and togetherness. By combining documentary material, animation and acting interpretation of the thoughts of our heroes, we get to know lives between disappointment and hope, quite similar to ours.

A mosaic film about a group of people in the city of Rotterdam, The Netherlands strugging with loneliness, hope and love.

A German-born woman works as a spy for the French in Switzerland during the First World War, and has to marry an interned French lieutenant in order to be able to stay in the country.

Spielberg talks about his friend Stanley Kubrick.

The title is based on the idiomatic expression "shmenti capelli" characterizing actions of people who like to shuffle and bamboozle others with superficial commitments. Karamfilov choose it as a metaphor for people with huge economic and political power. The funny comedy incorporates a tragic story in which Karamfilov plays two roles: the Big Guy and the Little Guy. Big is tied to the Mafia and the Secret services. Little is an unemployed teacher, squeezed and crushed by the system, which stops his heating and electricity, has his home emptied by a bailiff, and uses him as a tool in a game.

Residents of a suburban community enjoy a night at home with their friends and family, while an ominous threat looms just outside their doors.