A community is under siege as three Belmont Highschool coed students go missing with no trace of their whereabouts. The pressure is on the police to capture the culprits responsible. Scouring the school hallways in search of clues, undercover female detective Maggie Rawdon (Jessica Sonnerborn) enters Belmont High as a transfer student in an attempt to solve the hideous disappearance of the students. Maggie makes a few new friends, and gets invited to a private rave in the country. Just as the group begins to suspect that they've taken a wrong turn, however, the trap is sprung and Maggie finds out firsthand what fate has befallen the missing girls.

What is to be a child to whom parents ask the same question every day: whom does he love more? Mom or dad? What should mom do if she madly loves her son, but circumstances force him to take the child away from his father? What should be done to dad if his son is taken to America forever, and he cannot imagine his life without him? This is a story of choice. When deciding for a child, a parent often does as he is comfortable with. The child agrees, afraid to hurt the parent, but time will pass, he will mature and at some point he will decide for himself. Only the parent from this will be much more painful.

A lost submarine discovers a secret island where dinosaurs still live. The film, 20 minutes long, was scrapped by RKO. Approximately 4 minutes survived.

An Indian Army officer is compelled to chase down his protege when the latter turns rogue and threatens to disrupt the country’s government and army.

Operetta (German: Operette) is a 1940 musical film directed by Willi Forst and starring Forst, Maria Holst and Dora Komar. The film was made by Wien-Film, a Vienna-based company set up after Austria had been incorporated into Greater Germany following the 1938 Anschluss. It is the first film in director Willi Forst's "Viennese Trilogy" followed by Vienna Blood (1942) and Viennese Girls (1945). The film portrays the life of Franz Jauner (1832–1900), a leading musical figure in the city. It is both an operetta film and a Wiener Film.

The antihero "Mr. Karl" tells a "young person", the viewer, his life story while he sits at work in the warehouse of a delicatessen. The narrator increasingly turns out to be an opportunistic follower from the petty-bourgeois milieu, who maneuvered his way through life in the changing course of Austrian history from the end of the First World War to the end of the occupation in the 1950s.

A short film based on the S.T.A.L.K.E.R. fictional universe, combining the “Picnic to the curb” of the Strugatsky brothers, “Stalker” by Andrei Tarkovsky and the “Exclusion Zone” location around the Chernobyl NPP. According to the scenario, an agent of the peacekeeping forces, nicknamed "The Photographer", arrives in the Zone to prevent a global scale catastrophe, which could be caused by an experiment that went out of control at a scientific lab.

Shot in Havana and processed at Phil Hoffman's Film Farm, Marcel Beltrán Fernández's Casa de la noche explores those same histories from the point of view of an insider, as a lived experience that is evocatively mirrored through ripped and torn celluloid.

Mounting of the film by Dmitry Frolov on the basis of documentary frames of performances of Russian ballet dancers and lifeless margins of the Russian outback. Symbolizes the slowly naked and dying Russian world.

A right-wing revolutionary group called Strikeforce goes on a kidnapping and murdering spree in order to obtain a lethal top secret weapon. A Vietnam Vet called Jason Shepherd is called in to track the group down.

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Gee Atherton ripping the Worlds course the day after winning the race, Robbie Bourdon stomping a 70 ft. flat spin and Fabien Barel dropping an insane, near vertical line in Morocco, that's right New World Disorder is back with it's 9th installment, "Never Enough." Filmed exclusively in Super 16mm and High Definition, the world premiere will screen September 24th, during the annual Interbike trade show in Las Vegas.

1994년 4월 9일 개봉. 감독은 이이지마 마사카츠. 작화로 유명한 극장판. TV판에서 인기를 얻은 애니메이터 칸노 히로키를 총작화감독으로 기용했다. 애니메이터로는 니시오 테츠야, 타나카 히로토, 엔도 유이치, 카나다 요시노리, 코즈마 신사쿠, 야마시타 마사히토, 모토하시 히데유키, 나베시마 오사무, 카메가키 하지메, 쿠로다 카즈야, 야마구치 스스무, 키자키 후미노리 등이 참여. 애니메이터 시절의 호소다 마모루도 참여했다. 카나다 요시노리 사단 멤버인 이이지마 마사카츠 감독이 불러온 덕에 카나다 요시노리와 그의 직계 제자들이 모조리 모인 애니메이션으로 유명하다.

Using images from my childhood and phone calls from key people in my life, we explore my particular sense of what is home to me. The home is not a place but a sensation produced by many more common factors that characterize our generation.

Jesus, who's hitting the big 3-0, brings a surprise guest to meet the family. A Christmas special so wrong it must be from comedians Porta dos Fundos.

Max Steel returns in a new action-packed adventure to face his latest rival: former extreme sports star Troy Winter, the only guy Max could never beat. In a race to recover a mysterious and powerful meteorite of crystal, Troy Winter accidentally becomes a new and dangerous villain named Extroyer. Extroyer has the power to "extract and become", can steal their victims their power and strength. With the help of his team in N-Tek and his powerful vehicles, Max will protect the world and face his darkest rival.

The true story of the rise to power and brutal assassination of the formerly vilified and later redeemed leader of the independent Congo, Patrice Lumumba. Using newly discovered historical evidence, Haitian-born and later Congo-raised writer and director Raoul Peck renders an emotional and tautly woven account of the mail clerk and beer salesman with a flair for oratory and an uncompromising belief in the capacity of his homeland to build a prosperous nation independent of its former Belgian overlords. Lumumba emerges here as the heroic sacrificial lamb dubiously portrayed by the international media and led to slaughter by commercial and political interests in Belgium, the United States, the international community, and Lumumba's own administration; a true story of political intrigue and murder where political entities, captains of commerce, and the military dovetail in their quest for economic and political hegemony.

An unfortunate mix-up leaves an unsuspecting victim in a situation of life or death.

Con artists use a member of a European royal family to swindle a major jewelry company.