Surfer Edison isn't able to make ends meet with his inventions or his lifestyle. But then he meets billionaire Armand McMillian, who takes a shine to the young bum — so much so that he leaves his invention company to him upon his death. Unfortunately, Armand's nephew, Bradford, only gets a surfboard. While Edison manages to run the company successfully, with the help of pretty Natalie, Bradford conspires to take him down.

Fraser's unrequited love for the beautiful and rich Ginny gets a chance to prove itself, when she is suddenly kidnapped. He teams up with rebel Mac, who's got a score to settle with the kidnappers. Together they cross the country, looking for Ginny and the bad guys.

수줍음 많은 뉴올리안즈의 주방용품 가게 점원 죠지아 바이어드는 어느날 자신이 큰 병에 걸려있으며 앞으로 살 날이 몇 주 남지 않았다는 청천벽력 같은 선고를 듣게 된다. 그녀는 꿈에 그리던 유럽의 휴양지로 '마지막 여행'을 결심하는데, 더 이상 잃을 것이 없다고 생각한 그녀는 그곳에서 대담한 모습으로 변신한다. 그런 그녀의 변신은 주위 사람들에게 큰 영향을 미치는데...

A husband and wife meet three years after their formal separation, when they return to the provincial town where they once lived to pick up their divorce decree.

Who is he? Where does he come from? What does he want? An experimental short film created for the most part with a mobile phone. The filmmaker shot on the first day, animated on the second, and tried to make sense of it all on the third.

라디오 방송 진행자의 평화로운 삶을 파국으로 치닫게 만든 전화 한 통. 수화기 너머의 살인마는 두 희생자 중 하나를 고르라고 강요한다. 선택하지 않으면 두 사람 모두 죽는 상황. 진행자의 결정은 어떤 결과를 불러올 것인가.

Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate

Future political disputes won't be settled through war,... just war games.

This short documentary follows Johnny Gargano as he works Absolute Intense Wrestling's biggest event of the year - Absolution IX. In this second volume, Johnny gives a little background into how he got started wrestling and what keeps him going.

Beginning with the arrival by canoe of a TV and VCR in their village, The Spirit of TV documents the emotions and thoughts of the Waiãpi as they first encounter their own recorded images and those of others. Viewing news broadcasts and videos of other Brazilian native peoples, the Waiãpi see the power of images to facilitate memory preservation and political awareness. Some people worry, though about the invasive spirits of outsiders that can come through the TV. Another concern is the negative exposure that might result from the Waiãpi broadcasting their own images.

A Broadway actress uses her sex appeal to ruin a marriage only to dump her lover for a richer prospect.

Cafe Tales is the story of five Israeli men and their efforts to save a local cafe from demolition.

A young man named Shamsadin (Mehdi Moradi) receives the title of Hafez, bestowed only on those who memorize the Koran, and is sent to teach it to Nabat (Aso), the overseas-raised daughter of a religious leader. Although they never see each other's faces, feelings of love grow between them as they read the holy book. Unable to contain his feelings for Nabat, Hafez breaks his vows as a holy man by composing a poem to her, and is thrown out of her father's house and forced to relinquish his title. Then Nabat is forced to marry another man. Will the two ever be able to meet again?

When the war in Ukraine breaks out, Haris and two of his colleagues take a bus from Haris' company and drive it to the border to deliver emergency aid and transport refugees from war to a safe harbor in Denmark. A moving and thought-provoking documentary has come out of it. One that reminds us that tragedy lives in many of us, and that the value of charity and altruism is one of the greatest there is.

Jejou is a magical and visually powerful story that alternates and unites the popular traditions of the Guarani Mbyá, native inhabitants of the Misiones jungle, and the Poles, who from the end of the 19th century came to Misiones (Argentina) in search of a better life. future. It is a story of encounter, love, union, friendship, collaboration, learning, respect.