A serial killer and the detective who tracked him down find themselves in an unexpected stalemate.

Short animation film about the fear of singing in public

The Minions fight over a delicious banana... but is that all they want?!

"Let's Get Loud" was Jennifer Lopez's NBC Special, which premiered on November 20, 2002 and was recorded over 2 nights in Puerto Rico in the fall of 2001. It was Jennifer's first-ever headlining concert appearance, showing off her talents as a vocalist and dancer. The performance features a variety of Spanish and English songs, including: "Love Don't Cost A Thing", "If You Had My Love", "I'm Real", "Plenarriqueña", and many more.

Drama following the tensions and romantic crises among a group of friends over the course of a single wedding day.

Extraterrestrials contact earth in this delightful fable. Their message is "HELLO" in many languages, and there is a celebration.

Produced by WGBH-TV in Boston, THE MEDIUM IS THE MEDIUM is one of the earliest and most prescient examples of the collaboration between public television and the emerging field of video art in the U.S. WGBH commissioned artists – Allan Kaprow, Nam June Paik, Otto Piene, James Seawright, Thomas Tadlock, and Aldo Tambellini – to create original works for broadcast television. Their works explored the parameters of the new medium, from image processing and interactivity to video dance and sculpture.

Three prominent members of society, a judge, a police official and a district collector are kidnapped in broad daylight by a man who calls himself 'Citizen'. As CBI Officer Sarojini (Nagma) follows his trail she finds clues to a shocking mystery, of a village called Attipatthi which simply disappeared off the map of India, and to which each of these men is connected

An aging soccer player has a part-time girlfriend, a young fan, and doubts about throwing a game.

A depiction of the different social paths and classes within the Egyptian society, shedding light on the intertwined lives and fates of people of different classes, while highlighting issues like the drug trade and its calamitous impact on people and society.

In the Mouffetard district of Paris, Jérôme Crainquebille, an affable four-season merchant, is stopped by a police officer and taken to the station, unjustly accused of shouting "Mort aux vaches!" ("Death to the cows!"). When he returns to work after a fortnight's detention, he is ostracized by his neighbors. Lonely, Crainquebille sank into despair and alcoholism. His life in prison seemed sweeter, and his attempts to return were in vain. He owes his salvation to the affection of a local kid.

This is the planet we still know so little. We call it Earth but less than 1/3 is land, over 2/3 is water and we use that water as a dumping site for our waste and as if it's an inexhaustible "horn of plenty" for humans. Our most important ecosystem is on the verge of collapse unless we act now. At this very moment the main problem with the oceans is that they're getting emptier and emptier. If we don't do anything then we face one of the biggest disasters in history of mankind.

Dr. Kristine Lipton finds that something strange is happening in the hospital she works for when a friend is strangled by an elderly patient, who runs away but has an accident and dies. Kristine tries to find out more about this man, but discovers that all the personnel (including the hospital's director), are hiding something.

Scattered in seemingly random order, on the screen, we see the light that traverses the kinetic fields of Bill Brand’s latest film August Garden. Made for a group exhibition at Galerie Arnaud Lefebvre (Paris), the film accompanies a series of flower ink paintings, carefully made by the artist. Before, in the first seconds, we’re able to see an animation of August Garden 07 (ink and watercolor on xuan paper, 9″ x13″, 2019), which titillates lively for brief moments.

While Tom and his girl elope, a pair of varmints rob her home. Tom abandons his new bride and heads off in hot pursuit.

LAND is a fluid series of formal land animation experiments based upon the imprint of landscapes in various locations and intuitive interpretations of those movements. Shot in New York, Thimble Islands Bear Island, Connecticut, Armstrong Redwoods, Sonoma County, California, Hastings, England. note* (part of the EYE Filmmuseum Permanent Collection)

You are following the lives of a family who have chosen not to take the microchip implant but instead live a life with no home and consistently on the run from the one world government known as the F.A.T.H.E.R.